'Cookmaid' and market scenes, popular in the seventeenth century, evolved in the Low
Countries from a genre practised by Pieter Aertsen (c.1533-c.1573)
and his pupil Joachim Beuckalaer, which combined contemporary kitchen
scenes with a New Testament episode beyond. Bacon could have seen such
works on a visit he made to
the Low Countries in 1613.
An inventory of 1659 connected to the will
of the artist's wife lists 'Ten Great peeces in Wainscote of fish and
fowle &c done by S:r Nath: Bacon' (quoted in Gervase Jackson-Stops,
ed., The Treasure Houses of
Britain, exhibition catalogue, National Gallery of Art, Washington, DC 1985, p.140). Two other 'Cookmaid' pictures are known to exist: Cookmaid with Still Life of Game and Cookmaid with Still Life of Birds,
both in the
possession of the artist's descendants. The Tate's work is possibly part
of this group. Such groups were often intended to depict the four
seasons or the twelve months of the year. In the case of this piece,
however, although every item represented in
the painting
was grown in England at the time, not all would have been in season
simultaneously. Bacon, according to a letter dated 19 June [1626], was
growing melons at his estate in East Anglia, and he was known to have a
keen interest in
horticulture. The subject would most likely have had erotic
connotations. The abundance of ripe melons surrounding the cookmaid echo
her voluptuous cleavage.
Painted by Nathaniel Bacon in the 1620s. It hangs in the Tate gallery
in London. I make no apology for this early picture as it is such a
great painting and shows what is thought to be common clothing still
current in the 1640s. The cookmaid is dressed in a smock, edged with
simple lace around the neck, with what looks like a petticoat in the
style that has a low cut upper body section either sewn or laced in to
the skirts below. She also has some fabric sleeves seemingly pinned over
the sleeves of her linen smock, and very smartly dressed hair, which
would normally be the preserve of a higher status woman. I wonder if
this is a real cook maid smartened up, or someone playing a role. Note
that if she was going out, rather than sitting coquettishly by the
window, she would wear a waistcoat to hide her “modesty”.
The vegetables that appear in the picture, although they would never
be all in season at the same time, (making this still life somewhat of a
fantasy picture) are also worth a look. Amongst the selection (Bacon
was also a keen gardener, or maybe more properly horticulturalist) are
some rather modern looking cabbages, (or coleworts as they were also
known), artichokes,, some nice purple carrots (the orange variety is a
modern cultivar), parsnips, turnips, onions, marrows, pumpkins, apples,
pears, plums and figs. I’m sure I’ve missed some, there are so many
different types.
Cookmaids
http://www.the-athenaeum.org/art/detail.php?ID=138751http://www.tate.org.uk/art/artworks/bacon-cookmaid-with-still-life-of-vegetables-and-fruit-t06995/text-summary
http://www.tate.org.uk/art/artworks/bacon-cookmaid-with-still-life-of-vegetables-and-fruit-t06995/text-catalogue-entry
https://the1642goodwyfe.wordpress.com/2012/12/18/cookmaid-with-still-life-of-vegetables/
http://bjws.blogspot.com.ar/2013/10/preparing-harvest-1600s-food-cooking-in.html
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